Mackie CFX12 Compact Mixer with Effects (12x4x1)

Description: In really good condition. Mackie's Digital Engineering staff contributed sophisticated EMAC 32-bit digital effects that are the equal of outboard processors. They spent a ridiculous amount of time perfecting a graphic EQ section. And they packed the CFX Series mic/line mixers with extra features.CFX12 FeaturesHigh-headroom mic preamps with RF rejection 12 channels (8 mic/line mono, and 2 stereo line channels) 32-bit EMAC digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander External and internal EFX sends EFX to Monitor control 9-band stereo graphic equalizer Inserts on all mic channels and main mix True 4-bus design with direct sub outs and L/R assign 2 Pre/Post Aux sends and internal/external FX level sends on each channel 3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels 4-band EQ on stereo line channels Pan, Mute, PFL solo on each channel Inserts and 100Hz low-cut filters on all mic/line channels Subwoofer output from built-in 18dB/oct. 75Hz crossover Ingenious BREAK switch Headphone output with level control Tape/CD inputs with level control assignable to Main Mix via Break switch Logarithmic taper 60mm faders 48V phantom power 12V BNC lamp jack CFX Series Features16 digital effects with 32-bit internal EMAC processing - 2 adjustable parameters Studio-quality, 9-band stereo graphic program equalizer. Bottom line: CFX mixers' graphic EQs are exceptionally low-noise, low-distortion, and don't suffer from any nasty phase-shift problems Level-setting LED for each channelTrim Control with 50dB of mic gain (for timid vocalists or low-output mics. +30dB of line level gain and a full 15dB of attenuation to "pad" hot signals Inserts on all mic channels and mains Aux Sends, switchable to pre-fader for monitor use External and internal EFX Sends 12kHz shelving High frequency EQSweepable peaking Midrange EQ (only on mono input channels). Ultra-wide 100Hz to 8kHz bandwidth lets you use this control as an extra LF or HF EQ, too80Hz shelving Low frequency EQPre-Fader Solo switch lets you monitor the channel via headphones. It's also the key to fast, accurate level setting. Just press Solo and adjust the channel's trim control until the Zero Level LED flickers. You've now maximized headroom and minimized noise for the channel in a matter of secondsSubgroup buses "collect" channel signals assigned to them so you can submix vocals, drums, nose flute quartets, etc.Mondo-nifty Break Switch mutes all channels (and routes Tape input to the mains) while you're on break so you don't have to worry about feedback or some idiot grabbing a mic for an impromptu poetry reading The Rude Solo Light that made us what we are today. (Whatever that is.) Tape Level Control. 12V BNC lamp socketRCA-type unbalanced tape/CD inputs and tape outputsBalanced/unbalanced 1/4" TRS and balanced XLR outputs for mainsHeadphone jack with level controlSubwoofer output from built-in 18dB/oct. 75Hz crossover! Extra Utility Outputs with their own level control (post-Main Fader) Long-wearing 60mm logarithmic taper faders give you smooth, linear control throughout the fader's entire travel Solid steel chassis is punched bent and painted by gigantic automated machines supervised by medium-sized, non-automated Mackoids On the back: built-in power supply (instead of an outlet-eating wall wart) uses easily-replaceable standard IEC line cord Hookup GuideOwner's ManualSpec Sheet

Price: 63 USD

Location: Sandy, Oregon

End Time: 2025-01-04T03:45:00.000Z

Shipping Cost: 0 USD