"Breakin' 2 - Electric Boogaloo" O.S.T., V.A. LP NM/VG+ 1984 Ollie & Jerry more

Description: Breakin' 2 - Electric Boogaloo - Original Soundtrack Recording Various - Breakin' 2 - Electric Boogaloo - Original Soundtrack Recording album cover More images Label:Polydor – 823 696-1 Y-1 Format: Vinyl, LP, Album, 22 Country:US Released:1984 Genre:Electronic, Hip Hop, Latin, Funk / Soul, Stage & Screen Style:Soundtrack, Electro, Hi NRG, Boogie, Contemporary R&B A1Ollie & Jerry*–Electric Boogaloo Producer, Arranged By – Ollie E. Brown* Written-By – Attala Z. Giles*, Ollie E. Brown*, Russ Regan 4:08 A2Firefox (Toi Overton & Paulette McWilliams)*–Radiotron Producer, Arranged By – Ollie E. Brown* Written-By – Attala Z. Giles*, Jerry Knight, Ollie E. Brown* 4:30 A3George Kranz–Din Daa Daa Producer – Christoph Frank*, George Kranz Written-By – G. Kranz* 3:29 A4Ollie & Jerry*–When I.C.U. Producer, Arranged By – Ollie E. Brown* Synthesizer [Additional] – John Vantongeren* Written-By – Attala Z. Giles*, Jerry Knight, Ollie E. Brown* 4:26 A5Steve Donn–Gotta Have The Money Producer – Jimmy George Written-By – Jimmy George 4:35 B1Carol Lynn Townes–Believe In The Beat Arranged By – Ollie E. Brown*, Sylvester L. Rivers* Backing Vocals [Additional Vocalist] – Darryl Phinnessee, Jim Gilstrap, Marlena Jeter, Maxi Anderson, Phillip Perry* Producer – Ollie E. Brown* Saxophone [Sax Solo], Soloist – Gerald Albright Synthesizer – Derek Nakamoto, Paul Fox Written-By – Layng Martine* 4:20 B2Midway (Bruce Nazarian)*–Set It Out Producer, Arranged By, Mixed By, Edited By – Bruce Nazarian, Duane Bradley Written-By – B. Nazarian*, D. Bradley* 3:59 B3Mark Scott–I Don't Wanna Come Down Producer – Don Davis (2), Johnny Burton* Written-By – Johnny Burton* 4:27 B4Firefox (Paulette McWilliams & Toi Overton)*–Stylin', Profilin' Producer, Arranged By – Ollie E. Brown* Written-By – Attala Z. Giles*, Jerry Knight, Ollie E. Brown* 3:48 B5Rags & Riches–Oye Mamacita Arranged By, Programmed By – Steve Loeb Mixed By – Rod Hui, Vinny Perazzo* Producer – Bobby Ragona, Rick Bleiweiss, Steve Loeb Written-By – Jeff Barry, Nino Tempo 4:40 Pressed By – Allied Record Company Backing Vocals – Attala Z. Giles*, Jerry Knight, Ollie E. Brown*, Paulette McWilliams, Toi Overton Coordinator [Music Coordinator] – Shannon Pasternak Drums, Percussion – Ollie E. Brown* Engineer [Assistant Engineer, Mixing] – Toni Greene Engineer [Mixing] – David Rideau*, Mike Stone*, Ollie E. Brown* Engineer [Recording] – Michael Evans, Steve Hallquist* Executive-Producer – Ollie E. Brown* Guitar – Zane Giles*, Josef Parson* Keyboards, Synthesizer – Zane Giles*, Jerry Knight Mastered By – Bernie Grundman Producer [Production Assistance] – Cheryl R. Brown Supervised By [Album Supervisor] – Russ Regan Vocoder – Craig Harris (4) Produced for: A1, A2, A4, B1 & B4 - Brown Sugar Productions A5 - Jimmy George Productions B2 - D&B Productions B5 - A Soho Production Recorded at Ameraycan Studios except: B5 - Greene Street Recording Mixed at Larrabee Sound Manufactured and Marketed by PolyGram Records, Inc. Printed in U.S.A. ℗ 1984 PolyGram Records, Inc. except A3 - 1983 Personal Records B2 - 1984 Personal Records © MCMLXXXIV Cannon Films, Inc. Track B1 "Dedicated to the Memory of Irwin Schuster". Also available on Cassette (823 696-4 Y-1) and Compact Disc (823 696-2 Y-1). Toi Overton and Paulette McWilliams appeared courtesy of Brown Sugar Productions. Attala Zane Giles and Darryl Phinnessee appeared courtesy of Qwest Records. George Kranz and Midway appeared courtesy of Personal Records. Thanks to: Jeff Sydney, Trish McGuirk, Narvelan Hunt, Dolores Kaniger and Jack Mills at Larrabee Sound, Fred Moultrie Accountancy, Emily J. Shenkin, Trudie Green and Michael Rosenfeld at Front Line Management, Ray Parker, Jr., Mark Magavero, Zieljan and Duraline. Special thanks to: Yoram Globus, Menahem Golan, Micky Hyman, Paula Erickson, and Cannon Films. Barcode: 0 422-823696-1 Barcode (Scanned): 042282369611 Pressing Plant ID (On Labels): 22 GOLDMINE GRADING MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect. NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly. VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors. VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc. GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.

Price: 23 USD

Location: Saginaw, Michigan

End Time: 2024-11-25T00:18:44.000Z

Shipping Cost: 7 USD